
{"id":6740,"date":"2019-12-11T11:34:43","date_gmt":"2019-12-11T10:34:43","guid":{"rendered":"https:\/\/www.fondazionematalon.org\/luciana-matalon\/bibliography\/"},"modified":"2024-11-29T16:45:45","modified_gmt":"2024-11-29T16:45:45","slug":"bibliography","status":"publish","type":"page","link":"https:\/\/www.fondazionematalon.org\/en\/luciana-matalon\/bibliography\/","title":{"rendered":"Bibliography"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"6740\" class=\"elementor elementor-6740 elementor-5590\">\n\t\t\t\t\t\t<div class=\"elementor-inner\">\n\t\t\t\t<div class=\"elementor-section-wrap\">\n\t\t\t\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-07309e6 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"07309e6\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-0980182\" data-id=\"0980182\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-96e6073 elementor-widget elementor-widget-ova_muzze_according\" data-id=\"96e6073\" data-element_type=\"widget\" data-widget_type=\"ova_muzze_according.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\n\t<div class=\"ova_muzze_according wp-ova-according-158\">\n\t\t\t\t\t\t\t<div class=\"accor-muzze-content  hide \">\n\t\t\t\t\t\t<div class=\"wp-title\" data-option=\"158\">\n\t\t\t\t\t\t\t<span class=\"title\" >Catalogs<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"sub-title\">1968 - 1978<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"icon-accor\" ><i class=\"fa fa-angle-down\" id=\"159\" ><\/i><\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div id=\"slide-159\" class=\"content \" >\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"item-conten\">\n\t\t\t\t\t\t\t\t\t<p><b>1968<br \/><\/b>D. Villani,\u00a0<i>Nostro Club<\/i>, Palazzo Serbelloni, Milan;<br \/>E. Mastrolonardo, Gallery Il Pilastro, Milan;<br \/>D. Cara, Gallery La Luna, Perugia, Italy and Gallery San Vidal, Venice;<br \/>I. Mormino, Gallery Il Cigno, Milan.<\/p><p><b>1969<br \/><\/b>A. Ginesi, Zegr\u00ec Gallery, New York and Art +Art, Miami;<br \/>B. Paul, in \u00abThe Miami Beach Sun\u00bb, Miami;<br \/>N. Bower, in \u00abThe Miami News\u00bb, Miami.<\/p><p><b>1970<br \/><\/b>M. Ditti\u00e8re, Galerie Cardo Matignon, Paris;<br \/>G. Curonici, Galleria Boni + Schubert, Lugano.<\/p><p><b>1972<br \/><\/b>A. Sala, Galleria dello Scudo, Verona;<br \/>F. Ferre Gimeno, Galeria S\u2019Art, Huesca;<br \/>Casa de la Cultura, Palacio de los Argensola, Barbastro.<\/p><p><b>1973<br \/><\/b>S. Trojani, Cartella di serigrafie della collana <em>Arte Nuova Oggi<\/em>, Jesi.<\/p><p><b>1977<br \/><\/b>R. Sanesi, Galleria Cortina, Milan.<\/p><p><b>1978<br \/><\/b>J. D\u2019Haese, Latemse Galerij, Dorp Sint-MartensLatem.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t<div class=\"accor-muzze-content  hide \">\n\t\t\t\t\t\t<div class=\"wp-title\" data-option=\"158\">\n\t\t\t\t\t\t\t<span class=\"title\" ><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"sub-title\">1979 - 1989<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"icon-accor\" ><i class=\"fa fa-angle-down\" id=\"160\" ><\/i><\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div id=\"slide-160\" class=\"content \" >\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"item-conten\">\n\t\t\t\t\t\t\t\t\t<p><b>1979<br \/><\/b>Y. De Vresse, Cle Galerie, Oberhausen, Germany Hedendaagse Kunst, Dilibeek.<\/p><p><b>1981<br \/><\/b>A. M\u00fcller-Gast, EP-Galerie, D\u00fcsseldorf, Germany J. P. Jouvet,\u00a0<i>Dagli scavi della memoria<\/i>, per una cartella di acqueforti della Severgnini stamperia d\u2019arte in Cernusco s\/N.<\/p><p><b>1985<br \/><\/b>V. Accame, <em>Archeologia della parola<\/em>, per una cartella di serigrafie della Severgnini stamperia d\u2019arte in Cernusco s\/N.<\/p><p><b>1989<br \/><\/b>L. Strozzieri, <em>Verso le Architetture dell\u2019Io. Un itinerario di ricerca di Luciana Matalon<\/em>, Galleria Civica d\u2019Arte Moderna, Gallarate;<br \/>M. N. Varga, <em>Luciana Matalon. Dalle Cattedrali dell\u2019inconscio alle Archeologie della psiche<\/em>, Galleria Civica d\u2019Arte Moderna, Gallarate.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t<div class=\"accor-muzze-content  hide \">\n\t\t\t\t\t\t<div class=\"wp-title\" data-option=\"158\">\n\t\t\t\t\t\t\t<span class=\"title\" ><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"sub-title\">1991 - 2001<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"icon-accor\" ><i class=\"fa fa-angle-down\" id=\"161\" ><\/i><\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div id=\"slide-161\" class=\"content \" >\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"item-conten\">\n\t\t\t\t\t\t\t\t\t<p><b>1991<br \/><\/b>J. Pietrobelli, <em>Luciana Matalon. Viaggio nella memoria<\/em>, Galleria Il Prato dei Miracoli, Pisa.<\/p><p><b>1993<br \/><\/b>R. Sanesi, <em>Corpi della memoria, paesaggi della mente<\/em>, Galleria Il Salotto, Como.<\/p><p><b>1998<br \/><\/b>S. Trojani, <em>Scultura a confronto<\/em>, XLVIII Rassegna Internazionale d\u2019arte G.B. Salvi e Piccola Europa, Sassoferrato.<\/p><p><b>2000<br \/><\/b>E. Krumm, <em>Luciana Matalon. Spazi infiniti e simboli inquietanti<\/em>, Museo Fondazione Luciana Matalon, Milan.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t<div class=\"accor-muzze-content  hide \">\n\t\t\t\t\t\t<div class=\"wp-title\" data-option=\"158\">\n\t\t\t\t\t\t\t<span class=\"title\" ><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"sub-title\">2002 - 2009<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"icon-accor\" ><i class=\"fa fa-angle-down\" id=\"162\" ><\/i><\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div id=\"slide-162\" class=\"content \" >\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"item-conten\">\n\t\t\t\t\t\t\t\t\t<p><b>2002<br \/><\/b>M. Corgnati, <em>Tracce, segni, antichi alfabeti raccontano<\/em>, Palazzo Racani Arroni, Spoleto.<\/p><p><b>2006<br \/><\/b>AA.VV., <em>Segni \u2013 tracce \u2013 simboli di Luciana Matalon<\/em>, Galleria d\u2019Arte \u201cAura\u201d Rupestre, Foggia\/Vieste.<\/p><p><b>2009<br \/><\/b>C. Strinati, G. Bonasegale, F. De Santi,<em> Luciana Matalon. Nei labirinti della memoria<\/em>, Palazzo Venezia, Rome.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t<div class=\"accor-muzze-content  hide \">\n\t\t\t\t\t\t<div class=\"wp-title\" data-option=\"158\">\n\t\t\t\t\t\t\t<span class=\"title\" >Books, Magazines, Newspapers<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"sub-title\">1968 - 1978<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"icon-accor\" ><i class=\"fa fa-angle-down\" id=\"163\" ><\/i><\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div id=\"slide-163\" class=\"content \" >\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"item-conten\">\n\t\t\t\t\t\t\t\t\t<p><strong>1968<br \/><\/strong>P. Zanchi, <em>Profondit\u00e0 abissale<\/em>, in <em>Il giornale di Pavia<\/em>, Pavia, March 29th;<br \/>D. Piazzola, <em>Luciana Matalon alla Galleria il Pilastro<\/em>, in <em>Stampa Sud<\/em>, April;<br \/>B. Orfei, <em>I piaceri estetici di Luciana Matalon<\/em>, in <em>Il tempo<\/em>, Rome, May 24th;<br \/>I. Mormino, <em>Bella con incubi<\/em>, in <em>La Notte<\/em>, Milan, July 6th;<br \/>E. Buda, <em>Il mondo fantastico e umano di Luciana Matalon<\/em>, in <em>La vernice<\/em>, Venice, September 7th-8th-9th;<br \/>P. Rizzi, <em>Luciana Matalon alla San Vidal<\/em>, in <em>Il Gazzettino<\/em>, Venezia, September 18th;<br \/>N. Suri, in <em>D\u2019Ars Agency<\/em>, Milan, October 30th;<br \/>M. Lepore, in <em>Il Corriere d\u2019informazione<\/em>, Milan, November 21st;<br \/>D. Cara, in <em>Il poliedro<\/em>, Rome, December;<br \/>M. D\u2019Urbino, in <em>Bollettino della Comunit\u00e0 israelitica di Milano<\/em>, Milan, December;<br \/>I. Mormino, <em>Bella e Brava<\/em>, in <em>La Notte<\/em>, December 22nd;<br \/>D. Cara, in <em>La comunicazione emotiva<\/em>, Laboratorio delle Arti, Milan.<\/p><p><strong>1969<\/strong><br \/>G. L. Luzzato, in <em>Bollettino della Comunit\u00e0 israelitica<\/em>, Milan, April-May;<br \/>E. De Giorgio, in <em>Corriere del giorno<\/em>, Taranto, June 28th;<br \/>A. Ginesi, <em>Luciana Matalon e l\u2019angoscia esistenziale<\/em>, in \u201cQuestioni d\u2019arte\u201d, La Spezia, July;<br \/>I. Lopez, <em>Luciana Matalon a Jesi<\/em>, in <em>Valigia diplomatica<\/em>, n. 109, August;<br \/>N. Anconetani, <em>Gli ideogrammi di Luciana Matalon<\/em>, in<em> Sapere nuovo<\/em>, n. 8, August;<br \/>N. B. Lo Martire, <em>Plastica e colore lo spazio di L. Matalon<\/em>, in<em> Corriere del giorno<\/em>, Taranto, October 5th;<br \/>A. Ginesi, in<em> ll meridionale<\/em>, Taranto, October 6th-9th;<br \/>S. Spedicato, <em>A Taranto Luciana Matalon<\/em>, in <em>La voce de Sud<\/em>, Taranto, October 11th;<br \/>B. Paul, in <em>The Miami Beach Sun<\/em>, Miami, Florida, October 12th;<br \/>G. Ruggeri, in<em> Il Resto del Carlino<\/em>, Bologna, October 14th;<br \/>N. Bower, in <em>The Miami News<\/em>, Miami Florida, October 15th;<br \/>D. Villani, <em>La pittura di Luciana Matalon<\/em>, in <em>Valigia diplomatica<\/em>, n. 107, Milan;<br \/>E. G. Roda, <em>Citt\u00e0 nello spazio<\/em>, in <em>Uomo\u00a0 e immagini<\/em>, n. 26\/27.<\/p><p><strong>1970<br \/><\/strong>M. Last, in <em>Art News<\/em>, New York, February;<br \/>J. M. McCormick, in <em>Pictures on Exhibit<\/em>, New York, February;<br \/>C. Jarvis,<em> Today\u2019s art Scene... Luciana Matalon<\/em>, in <em>The Decorator<\/em>, Miami Florida, February;<br \/>D. Hall, <em>Matalon at Zegr\u00ec<\/em>, in <em>Park East<\/em>, New York, February 12th;<br \/>B. Paul, in <em>The Miami Beach Sun<\/em>, Miami, Florida, February 15th;<br \/>B. Paul,<em> Blonde Italian Artist Makes American Debut<\/em>, in <em>The Miami Beach Sun<\/em>, Miami Beach, Florida, February 15th;<br \/>B. Parodi, <em>Artist Luciana Matalon<\/em>, in <em>Visitor<\/em>, Miami Florida, mid-February;<br \/>N. Bower, in <em>The Miami News<\/em>, Miami Florida, February 18th;<br \/>D. Goldsmith, in <em>Miami News<\/em>, Miami Florida, March;<br \/>T. Mazzieri, in <em>La Stagione<\/em>, Parma, May;<br \/>M. Lepore, in <em>Il Corriere d\u2019informazione,<\/em> Milan, September 23th\/24th;<br \/>F. Passoni, in <em>L\u2019Avanti<\/em>, Milan, September 27th;<br \/>M. Ditti\u00e8re, in <em>L\u2019Aurore<\/em>, Paris, November 18th;<br \/>R. Charmet, in <em>Le noveau journal<\/em>, Paris, November 21st;<br \/>J. Baron, <em>Les Cath\u00e9drales dans l\u2019espace de Luciana Matalon<\/em>, in <em>La Croix<\/em>, Paris, November 22nd\/23rd;<br \/>J. Chabanon, in <em>Le Peintre<\/em>, Paris, December 1st;<br \/>B. Gauthron, in <em>L\u2019Armateur d\u2019Art<\/em>, December 3rd;<br \/>P. Caso, <em>Luciana Matalon: la perforation de la toile au service d\u2019un Iyrisme typiquement Italien<\/em>, in <em>Le Soir<\/em>, Bruxelles, December 22nd;<br \/>M. Stork, in<em> La Libre Belgique<\/em>, Bruxelles, December 23rd;<br \/>R. Patesson, <em>Luciana Matalon, \u201cEst ce de l\u2019art Pictural?\u201d<\/em>, in <em>L\u2019Echo de la Bourse Bruxelles<\/em>, December 24th-25th-26th;<br \/>J. Z. Shore, <em>Luciana Matalon at Galerie L\u2019Angle Aigu<\/em>, in The Bruxelles Times, Bruxelles, December 31st;<br \/>D. Villani, in <em>Artisti contemporanei in Italia<\/em>, Milan.<\/p><p><strong>1971<br \/><\/strong>S. Rey, <em>Luciana Matalon \u201cArt Cosmique\u201d<\/em>, in <em>Le Phare Dimanche<\/em>, Bruxelles, January 3rd;<br \/>M. Ditti\u00e8re, <em>Il canto di una guglia nell\u2019opera di Luciana Matalon<\/em>, in <em>Il Loggione<\/em>, Udine, April;<br \/>C. Patrizi, in <em>Il Gazzettino<\/em>, Lecce, July 7th;<br \/>C. Baggi, <em>Luciana Matalon alla Galleria Boni e Schubert<\/em>, in <em>Il Giornale del Popolo<\/em>, Lugano, November 29th;<br \/>G. C., in\u00a0<em>Corriere del Ticino<\/em>, Lugano, Swiss, December 10th;<br \/>A. Pivi, in <em>Fenarete<\/em>, Milan, n. 128\/129;<br \/>D. Villani, in <em>Pittori allo specchio<\/em>, ed. d\u2019Arte Cavour, Milan.<\/p><p><strong>1972<br \/><\/strong>F. Ferrer, in <em>Nueva Esp\u00e3na<\/em>, Huesca, June 21st;<br \/>F. Ferrer,<em> L. Matalon expone en Galeria S\u2019Art<\/em>, in <em>Nueva Esp\u00e3na<\/em>, Huesca, June 21st;<br \/>G. Curonici, <em>Avventura individuale nello spazio cosmico<\/em>, in <em>Fenarete<\/em>, n. 136, Milan.<\/p><p><strong>1973<br \/><\/strong>T. Toda, <em>Luciana Matalon \u201cPinceles en el cosmo\u201d<\/em>, in <em>ABC<\/em>, Madrid, June 28th;<br \/>C. Patrizi, in <em>Il Gazzettino,<\/em> Lecce, February 1st;<br \/>J. A. Lewis, <em>The Washington Post<\/em>, Washington, February 16th;<br \/>M. C. De Celis, <em>Luciana Matalon \u201cEn su isla espacial\u201d<\/em>, in <em>El Adelanto<\/em>, Madrid, June 9th;<br \/>A. Sala, in <em>Fenarete<\/em>, n. 144 Milan.<\/p><p><strong>1976<\/strong><br \/>M. Rossello, <em>Luciana Matalon Galleria Quaglino<\/em>, in <em>Informazione Arte<\/em>, October 30th;<br \/>S. Rey, <em>Luciana Matalon \u201cArt Cosmique\u201d<\/em>, in <em>Le Phare Dimanche<\/em>, Bruxelles, November;<br \/>R. Sanesi, in <em>Cultura e Costume<\/em>, n. 1\/3, Milan.<\/p><p><strong>1977<br \/><\/strong>F. De Bortoli, <em>Matalon, l\u2019avventura del<\/em> quotidiano, in <em>Corriere d\u2019informazione<\/em>, Milan, November 23rd;<br \/>R. Fattorelli, <em>Prima la Matalon poi Cessinari e Gentilini<\/em>, in <em>Lombardia Notte<\/em>, Milan, December;<br \/>L. Consigli, <em>Mostra di L. Matalon<\/em>, in <em>Bollettino della Comunit\u00e0 israelitica<\/em>, December.<\/p><p><strong>1978<br \/><\/strong>M. M., <em>Profondit\u00e0 del ricordo<\/em>, in <em>Gala International<\/em>, n. 86, Milan, February.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t<div class=\"accor-muzze-content  hide \">\n\t\t\t\t\t\t<div class=\"wp-title\" data-option=\"158\">\n\t\t\t\t\t\t\t<span class=\"title\" ><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"sub-title\">1979 - 1989<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"icon-accor\" ><i class=\"fa fa-angle-down\" id=\"164\" ><\/i><\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div id=\"slide-164\" class=\"content \" >\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"item-conten\">\n\t\t\t\t\t\t\t\t\t<p><strong>1979<\/strong><br \/>L. Van Damme, in <em>De Gentenaar<\/em>, Gand.<\/p><p><strong>1980<\/strong><br \/>E.W. Donat, <em>Luciana Matalon Stellt bei \u2013 \u201cCle\u201d aus, T\u00fcrne als Symbol<\/em>, in <em>Oberhausener Stadtnazeiger<\/em>, Oberhausen, February 9th;<br \/>Von Max Metger, in <em>Westdeutsche Zeitung<\/em>, Dusseldorf, April 10th.<\/p><p><strong>1981<\/strong><br \/>E. Laubeck,<em> Archaishe Welten, Ep Galerie zeigt Luciana Matalon<\/em>, in <em>Westdeutsche Zeitung<\/em>, Dusseldorf, November 12th;<br \/>A. Hann, <em>Archaologie der Gedanken von Luciana Matalon in der EP-Galerie<\/em>, in <em>Rheinische Post<\/em>, Dusseldorf, November 12th;<br \/>Von Alfred Muller-Gast, <em>Archaologie der Gedanken,<\/em> in <em>Neue Rhein Zeitung<\/em>, Dusseldorf, November 28th;<br \/>M. Monteverdi, in <em>Dame di quadri<\/em>, Edizione del sigillo, Milan.<\/p><p><strong>1984<br \/><\/strong>Von Max Metzger, in <em>Westdeutsche Zeitung,<\/em> D\u00fcsseldorf, November 17th.<\/p><p><strong>1988<\/strong><br \/>I. Rocco, <em>L\u2019Arte del duemila di Luciana Matalon<\/em>, in <em>Silarus<\/em>, n. 137\/138, May\/August.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t<div class=\"accor-muzze-content  hide \">\n\t\t\t\t\t\t<div class=\"wp-title\" data-option=\"158\">\n\t\t\t\t\t\t\t<span class=\"title\" ><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"sub-title\">1990 - 2000<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"icon-accor\" ><i class=\"fa fa-angle-down\" id=\"165\" ><\/i><\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div id=\"slide-165\" class=\"content \" >\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"item-conten\">\n\t\t\t\t\t\t\t\t\t<p><strong>1990<\/strong><br \/>A. Nania, <em>Il mondo tormentato delle emozioni visto da Luciana Matalon<\/em>, <em>Dalle cattedrali dell\u2019Inconscio la malinconia della realt\u00e0<\/em>, in <em>La Prealpina<\/em>, Varese, January 21st;<br \/>E. Zanella Manara, <em>L\u2019immagine cosmica di Luciana Matalon<\/em>, in <em>Il Punto<\/em>, Como, January\/February;<br \/>M. N. Vargas, <em>Linguaggio del tempo in Prospettive d\u2019Arte<\/em>, Milan, January\/April;<br \/>F. Passoni, <em>Luciana Matalon \u201cNei labirinti della psiche\u201d,<\/em> in <em>Artecultura Splendor<\/em>, Milan, February;<br \/>G. Rossi, <em>A Gallarate una pittrice concettuale,<\/em>\u00a0in <em>Il Giorno<\/em>, Milan, January 14th;<br \/>Nan Maria, <em>Dalle immagini all\u2019immaginario<\/em>, in <em>Focus<\/em>, Ancona, May.<\/p><p><strong>1993<\/strong><br \/>F. Passoni, <em>Arte Cultura<\/em>, December 10th;<br \/>G. Albertini, <em>Oggi e Domani<\/em>, December;<br \/>L. Strozzieri, <em>Le architetture dell\u2019io<\/em>, in <em>Oggi e Domani<\/em>, n.12, December.<\/p><p><strong>1998\/99<\/strong><br \/>E. Wingen, <em>Six artists hovening, between abstraction and figuration<\/em>, Amsterdam;<br \/>S. Trojani, <em>Scultura a confronto<\/em>, Sassoferrato;<br \/>R. Sanesi,<em> Arte Contemporanea Italiana, Pittori e Scultori 1946-1998<\/em>, De Agostini Editore.<br \/>M. Ligastosi, \u201cNuovi spazi giochi visivi\u201d, in Io Donna, 18th November<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t<div class=\"accor-muzze-content  hide \">\n\t\t\t\t\t\t<div class=\"wp-title\" data-option=\"158\">\n\t\t\t\t\t\t\t<span class=\"title\" ><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"sub-title\">2001 - 2011<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"icon-accor\" ><i class=\"fa fa-angle-down\" id=\"166\" ><\/i><\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div id=\"slide-166\" class=\"content \" >\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"item-conten\">\n\t\t\t\t\t\t\t\t\t<p><strong>2011<\/strong><br \/>L. Garulli, <em>Matalon spazi infiniti simboli inquietanti<\/em>, in Exibart, January;<br \/>M. Polacco, <em>Invito all\u2019arte globale<\/em>, in <em>Bollettino della Comunit\u00e0 israelitica<\/em>, Milan, February.<\/p><p><strong>2004<\/strong><br \/>P. L. Senna, <em>Vengo dal mare\u2026ti porto un messaggio<\/em>, presentazione mostra, Museo Fondazione Luciana Matalon, Milan.<\/p><p><strong>2005<\/strong><br \/>V. Sgarbi, da<em> I giudizi di Sgarbi,<\/em> Editoriale Giorgio Mondadori;<br \/>F. Migliaccio,<em> Itinerari plastici. Cinque incontri con la scultura<\/em>, mostra collettiva artisti vincitori del concorso Rozzano citt\u00e0 d\u2019arte, Centro Culturale Cascina Grande, Rozzano.<\/p><p><strong>2006<\/strong><br \/>AA.VV., <em>Segni \u2013 tracce \u2013 simboli di Luciana Matalon<\/em>, Galleria d\u2019Arte \u201cAura\u201d Rupestre, Foggia\/Vieste.<\/p><p><strong>2007<\/strong><br \/>F. De Santi,<em> La Citt\u00e0-Sole di Luciana Matalon<\/em>, in Contemporart, March;<br \/>F. De Santi, <em>La Citt\u00e0-Sole: come un viaggio negli spazi stellari<\/em>, in Archivio, April;<br \/>D. Della Seta, <em>Il sole nell\u2019arte di Luciana Matalon<\/em>, in <em>Karnenu<\/em>, May;<br \/>S. Legrenzi, <em>Una scultura di luce e di vento<\/em>, in Io Donna, May;<br \/>F. De Santi, <em>Triennale Internazionale di Arte Sacra, XVI ed.<\/em>, Castello Piccolomini, Celano;<br \/>A. Schwartz, <em>Inaugurazione della scultura Citt\u00e0-Sole a Netanya<\/em>, Israele.<\/p><p><strong>2008<\/strong><br \/>F. De Santi, <em>Citt\u00e0-Sole nello spazio<\/em>, ne <em>Il Messaggero<\/em>, April;<br \/>F. De Santi, <em>La Fable du Monde<\/em>, Museo Fondazione Luciana Matalon, Milan;<br \/>F. De Santi,<em> Metamorfosi del fantastico. L\u2019immagine ritrovata<\/em>, Premio Vasto d\u2019Arte Contemporanea XLI ed., Istituto Filippo Palizzi, Vasto.<\/p><p><br \/>G. Sillato, <em>27\u00aa Edizione. Il Metamorfismo. L\u2019Arte Contemporanea nelle antiche dimore<\/em>, Palazzo Ducale, Urbino , catalogo Mazzotta;<br \/>G. Sillato, <em>Il Metamorfismo<\/em>, Editoriale Giorgio Mondadori, Milan.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Catalogs 1968 &#8211; 1978 1968 D. Villani,\u00a0Nostro Club, Palazzo Serbelloni, Milan; E. Mastrolonardo, Gallery Il Pilastro, Milan; D. Cara, Gallery La Luna, Perugia, Italy and Gallery San Vidal, Venice; I. Mormino, Gallery Il Cigno, Milan. 1969 A. Ginesi, Zegr\u00ec Gallery, New York and Art +Art, Miami; B. Paul, in \u00abThe Miami Beach Sun\u00bb, Miami; N. [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":6422,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-6740","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v19.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Bibliography - Fondazione Luciana Matalon<\/title>\n<meta name=\"description\" content=\"Scopri tutta la bibliografia di Luciana Matalon suddivisa per decenni\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.fondazionematalon.org\/en\/luciana-matalon\/bibliography\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Bibliography - Fondazione Luciana Matalon\" \/>\n<meta property=\"og:description\" content=\"Scopri tutta la bibliografia di Luciana Matalon suddivisa per decenni\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.fondazionematalon.org\/en\/luciana-matalon\/bibliography\/\" \/>\n<meta property=\"og:site_name\" content=\"Fondazione Luciana Matalon\" \/>\n<meta property=\"article:modified_time\" content=\"2024-11-29T16:45:45+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"9 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.fondazionematalon.org\/en\/luciana-matalon\/bibliography\/\",\"url\":\"https:\/\/www.fondazionematalon.org\/en\/luciana-matalon\/bibliography\/\",\"name\":\"Bibliography - 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